Thursday, December 25, 2014
Vermont Farm
I painted this from a photo using my new SceneSketcher Android app. I used the
app to break down the photo into separate dark, mid, and light images that isolated
the colors in each value range. I used the app's measuring tool to layout the image
on canvas. Drawing and staying on track with a plan are two of my bigger painting
problems, and the app made me more comfortable with both. 10" x 15"
Here's a link to the site I made for the app: www.scenesketcher.com Let me know if
you're interested in beta testing - should be ready in a couple of weeks.
Wednesday, September 3, 2014
my Android app
About three months ago, I was starting a painting and wondered if I could
find an app for my Android tablet that would help me paint. I was surprised
that I couldn't find one to help in the basic stages of blocking in a value study.
So I decided to learn how to code for Android and see what I could come up
with. Here's a sample image from the app I've made:
find an app for my Android tablet that would help me paint. I was surprised
that I couldn't find one to help in the basic stages of blocking in a value study.
So I decided to learn how to code for Android and see what I could come up
with. Here's a sample image from the app I've made:
My app is basically a convenience, touch-enabled photo editor with aspect, pan,
zoom and lock controls. The most interesting feature, though, is that it has an
interactive gray scale display.
This mode makes it easy to flip back and forth between color and gray versions of
an image that can be panned and zoomed. The number of values and the amount of
blurring applied in converting a color image to gray scale can be adjusted to a
desired level of abstraction, similar to squinting. With a long-press gesture at
a point of interest on the screen, the value band the point lies in can be toggled back
and forth between gray and color. By pressing points on the screen, it's possible to
set some or most of the image to bands of gray and just show selected value ranges
in color. The toggle is pretty fast because the gray scale uses optimized code that
runs on a tablet's graphics processor. I'm thinking the gray scale toggle will be
helpful to channel one's focus, but I haven't tried painting from it yet.
I'm not all that far from releasing what I've got so far as an app, but it seems like
there's always another bug and more to be done!
Wednesday, June 4, 2014
Mill Brook Valley, Arlington, MA
Painted from a Google street view of Arlington, Massachusetts. Mill Brook
flows in a greenbelt just beyond this intersection creating a beautiful little
valley that cuts through the town. I premixed some of the main colors, and was
able to lay down about half the painting rather quickly over a charcoal sketch.
Then I bogged down in detail. This is the right half of a diptych. 16" x 20"
Sunday, May 11, 2014
pink house in Walsenburg, Colorado
Beats driving there! 11" x 14"
Wednesday, April 23, 2014
night Cattleya
This poor orchid managed to struggle into bloom after years of neglect.
The underpainting was a charcoal sketch tonal study. Painted from life
and later a reference photo after it wilted. I've started using a tablet
mounted on a mic stand next to the easel for photo display. This arrangement
really helps improve my wandering and unsteady powers of observation.
13" x 10.5"
Friday, April 4, 2014
in the kitchen
A more or less happenstance kitchen arrangement. I managed to exercise some
restraint and keep the tabletop and background muted, instead of making the
usual all over free-for-all of saturated color. 9" x 12"
Friday, March 7, 2014
Wednesday, February 12, 2014
Saturday, February 8, 2014
Thursday, January 16, 2014
apple, clay, coleus, peppers
The actual tabletop of the setting is light gray, which made an awkward negative space.
The improvement from changing to a deeper value, saturated red was a big surprise.
Also, painting red over gray gave a nice grisaille which firmed up the fade into
half-light on the background and plant. 11" x 14"
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